The Pop Art movement turned the art world on its head, and
produced some remarkable pieces that stand shoulder to shoulder with Van Gogh’s
The Starry Night or Picasso’s Guernica. So called because the style
incorporated symbols from popular culture, Pop Art removed them from their
original context and re-worked them in a new eye-catching style. Interest in
the movement has remained strong, with exhibitions still taking place globally.
Until January 2016, the Tate Modern is displaying an exclusive collection of
Pop Art from around the world.
Harry Dhaliwal prides
himself on the affordable, but high quality properties that his company First
Step develops. In searching for ideas for new property ventures, he often
visits art exhibitions, finding inspiration in some of the world’s most iconic
artwork.
As an inspiration for designing a modern space, Pop Art
would be ideal – examining the real beauty behind adverts, posters and branding
that pervades everyday life. If anything, the abundance of advertising in the
21st Century further blurs the boundary between life and art.
The World Goes Pop
Following the original movement that started in Britain and
the US towards the end of the 1950s, Pop Art influenced many more artists from
around the world to seek out images in their respective cultures as stimulus to
create pieces of work in this new style. The exhibition running at the Tate
Modern focusses on how Warhol’s oversized Campbell’s soup can sent shockwaves
to the other side of the globe and everywhere else in between.
In exploring Pop Art from around the world, this exhibition
highlights the fact that the movement was more than just an expression of
consumerism but a subversion and protestation against individual cultures and
politics. From the Middle East to Asia, Europe and Latin America, Pop Art was
accepted in all four corners of the globe and the World Goes Pop exhibition
brings the lot together in a carefully curated experience.
Celebrating Women in Art
Another aspect of the Tate’s exhibition is that not only are
other cultures widely represented but so too are the female artists that are
often overlooked in the Pop Art canon. Martha Rosler and Judy Chicago find a
place in the folk pop section, examining the female form through the medium
that defined a generation of art.
A universal language, art has always crossed cultural
borders. Now visitors to the Tate Modern can see how Pop Art’s message has been
received and interpreted around the world.
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